Eye Movements

The Effect of Prior Viewing Position and Spatial Scale on the Viewing of Paintings

The visual inspection of scenes is disrupted when participants are forced to begin inspection away from the centre of an image. The present study explored the effect of the starting point on the visual inspection of paintings. Eye movements were …

The time-course of fixations in representational paintings. A cross-cultural study

British and Chinese participants viewed a set of Western representational paintings (henceforth paintings) for later identification in a yes/no discrimination task. Eye movements were recorded while participants viewed the paintings with each …

Visual exploration mediates the influence of personal traits on responses to artworks in an art gallery setting

The present study investigated the role of visual exploration of artworks in relation to personal traits and aesthetic responses during a visit to the TATE Liverpool gallery. Specifically, the study tested whether visual exploration mediated the …

Preference at First Sigh. Effects of Shape and Font Qualities on Evaluation of Object-Word Pairs

Subjective preferences for visual qualities of shapes and fonts have been separately reported. Such preferences are often similarly attributed to factors such as aesthetic impressions, attributed meaning from the visual properties, or processing …

The Effect of Implicit Racial Bias on Recognition of Other-Race Faces

Previous research has established a possible link between recognition performance, individuation experience, and implicit racial bias of other-race faces. However, it remains unclear how implicit racial bias might influence other-race face processing …

The influence of culture on the viewing of Western and East Asian paintings

The influence of British and Chinese culture on the viewing of paintings from Western and East Asian traditions was explored in an old/new discrimination task. Accuracy data were considered alongside signal detection measures of sensitivity and bias. …

The spectatorship of portraits by naïve beholders

The spectatorship of portraits by naïve viewers (beholders) was explored in a single experiment. Twenty-five participants rated their liking for 142 portraits painted by Courbet (36 paintings), Fantin-Latour (36 paintings), and Manet (70 paintings) …

The influence of pupil alignment on spectator address in Manet’s portraiture

Participants judged 94 portraits painted by Édouard Manet (70), Gustave Courbet (12) and Henri Fantin-Latour (12) for horizontal and vertical pupil misalignment and gaze ambiguity (Experiment 1) and focal point of gaze (Experiment 2). Eye movements …